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| A wooden spectacle stand |
A trip to Mumbai earlier this week took me back to Bombay of about 35 years ago. And the journey back in time was possible because I had got to our office here, almost an hour ahead of the schedule. To “spend” those 60 minutes I walked along the busy D Naoroji road with its beautiful colonial style structures, some well maintained, and some on the verge of collapsing.Beauties they are nevertheless.
Most of the buildings house offices—banks, insurance and the like. The corridor was partly occupied by hole-in-the-wall shops selling mobile phone accessories primarily.
But one building pulled me in because of what I could see through the glass doors. It was only when I was almost inside that I turned around to see the name of the place. Contemporary Arts and Crafts. People in Mumbai know it as CAC or simply Contemporary. The place was getting a coat of paint, and smelling pretty much of maintenance work.
Contemporary, here? Was it not in Napean Sea Road? Is this a branch? I asked the gentleman who seemed to be in charge .He told me that it was not a branch, but the CAC. They’d shifted to this address –Ground Floor, Taj Building on D Naoroji Road –because the owners of that beautiful, time kissed bungalow on 19,Napean Sea Road had wanted the place back. They lived on the first floor, and the ground floor was where CAC had been the last 50 years plus.
Long, long before Fab India or even Cottage Emporium became well known names, and much before lifestyle and home decor, or ethnic or ethnic chic were part of our collective consciousness, Contemporary had stocked and show cased exquisite handicrafts—not necessary from all over, but from many parts of the country.There were never too many things, but then there was enough to make every visitor pick up something.
I had simply chanced to visit the one on Napean Sea Road way back. My uncle—tayaji in Hindi and peripa in Tamil—lived in a very well designed building called Sonmarg,on Napean Sea Road may be a kilometer or more walk from CAC .Walking around and looking around, I got there then. Much as I did this time.
When we were building our block of apartments in Chandigarh a few years ago, I drew a freehand sketch of that apartment in Sonmarg, to show the architect roughly what I wanted.
A few years after that building came up--- I am afraid nowhere like Sonmarg, though good in its own way—a friend’s daughter, a bright young architect , was carrying a book on celebrated architect Charles Correa. As I flipped through the pages, what did I see? A picture of Sonmarg. In delight and excitement, I closed the book, and told her I’d lived in that building. I did an encore of the freehand sketch. And she saw the architectural drawings in the book and told me I’d made a good likeness.
But yes,
we knew that film star Shashi Kapoor lived in Petit Hill across, and some other
stars –the late Nutan and Waheeda Rehman if I recall correctly—lived in a nearby building
called Anita. And like crazy fans we kept our eyes out of the balcony—since glazed—to
catch a glimps of them!
Time has not weakened many of Mumbai’s
beautiful and some iconic buildings. If anything , muted now, they look
like women who have aged gracefully… with all their charm in tact.
I could
not click pictures of these buildings with the only camera I had—my Nokia E5.
And inside CAC where they treasure their exclusivity in the face of stiff
competition, they would not let me click pictures.
But nevertheless I have
uploaded visuals of two things that I liked—one modern, and one antique and traditional.
One is a wooden spectacle stand that I bought for my husband, hoping we will not have to hunt for his specs henceforth.
The picture of the exquisitely carved coconut scraper, I borrowed (Thanks!) from someone who is passionate about antique cookware--- for more on that please visit www.antiquepatra.blogspot.in The antique coconut scraper in Contemporary appears to have been restored, in a way conserved.








